Wednesday, November 18, 2009

And the winner is...

It's time to pick a winner for the copy of White Picket Fences by Susan Meissner. Using a random number generator and numbering the entrants in the order I received them, the winner is:

Winning Readings (Jane)

who entered via the comments. Congratulations! I'll be contacting you for your address.

For those who didn't win, you can always join in the fun by buying a copy of this book at your favorite bookstore.

Sunday, November 15, 2009

Stealing with Style by Emyl Jenkins


Stealing with Style cover


Stealing with Style
by Emyl Jenkins


Hardback: 338 pages
Publisher: Algonquin Books of Chapel Hill
First Released: 2005

Author Website
Author on Twitter


Source: Bought from Half.com

Back Cover Description:
Sterling Glass has built a nice appraisal business in her small Virginia town. She's sought after to examine antiques, research their history, present her clients with approximate values, and help them distinguish good antiques from not so good ones. And when family skeletons are unearthed among the heirlooms, she is the soul of discretion. It's a world she navigates with ease.

But that's before she's called in to examine a diamond brooch found tucked inside an oven mitt over at the Salvation Army thrift store. And before the appraisal of an extremely modest estate turns up a tea urn—hidden inside a basket—worth at least fifty grand.

Things aren't adding up, and Sterling, never one to let go of loose ends, starts asking questions. It's not long before she uncovers an intricate plot involving a slew of antique pieces, the oldest families in Leemont, some sophisticated scammers, crooked antiques dealers, and shifty people at the best New York auction houses. Add to that one elderly man who's just trying to preserve his family's treasured collection of bronze and ivory Art Deco sculptures, and suddenly Sterling finds herself ensnared in a mystery laced with greed, deceit, and danger.

Stealing with Style, the first in the Sterling Glass series, introduces a writer of great wit who has a grand sense of the mystery hidden in our most treasured possessions.


Review:
Stealing with Style is a "who-stole-it" mystery. It's not really a "puzzle it out before the heroine" mystery since the heroine has more knowledge about antiques (which is why she's involved) than the reader probably does. It's only because of her knowledge that anyone realizes what's wrong. But the mystery was fascinating, convincing, and complex. And I learned a lot about antiques.

The characters were enjoyable and fairly complex. The details about the antiques business were nicely woven into the story and made the story feel realistic.

My only problem was that the author sometimes assumed that the reader knew why an antiques appraiser like Sterling had been consulted--what the insurance agent, for example, wanted her to do. Often, this became clear as Sterling did the job, but I still would have enjoyed a stronger hint from the beginning about why she was called in rather than being left to puzzle it out. And I never did figure out what the insurance agent had expected her to do versus what she ended up doing. This didn't really matter to understanding the story, but I was interested in knowing nonetheless.

There was a very minor amount of bad language. There was no sex. Overall, I'd recommend this novel as well-written, clean reading.


If you've read this book, what do you think about it? I'd be honored if you wrote your own opinion of the book in the comments.


Excerpt from Chapter One
I've made a lot of mistakes along the way because I've spoken first and thought second. Like when I agreed to write a column on antiques for a newspaper syndicate. Deadlines, questions almost impossible to answer in just a few words, plus all those letters about things that are no more than a few years old. Seems most people think anything that belonged to their granny is an antique. Not so. Any lawyer will tell you an object must be at least a hundred years old to be an "antique," and connoisseurs insist that true antiques predate the 1820s or 1840s when new machines and tools eliminated a lot of hand work. Yes, I should have thought first and spoke second.

But probably my biggest mistake was the time I said, purely matter-of-factly, "Invite me over to see your things one day and after about thirty seconds I'll know all about you."

I wasn't bragging or trying to be smart. Honest. I was just making casual cocktail-party conversation. But from the horrified look I got from the well-heeled couple I had hoped would be my clients, I knew that not only had I said the wrong thing, I'd scared them half to death. Every family has more than its share of skeletons, if not in their closets, then in their grandmother's trunks--skeletons they want to stay put. But, you see, I'm an appraiser. People not only invite me into their homes to look around, they pay me to tell them all about their things. Along the way, I can't help but uncover their deepest secrets.

Friday, November 13, 2009

Gudrun's Tapestry by Joan Schweighardt


Gudrun's Tapestry cover


Gudrun's Tapestry
by Joan Schweighardt


Hardback: 271 pages
Publisher: Beagle Bay Books
First Released: 2003


Source: Review copy from the publisher

Back Cover Description:
Gudrun’s Tapestry is a powerful, enchanting and vivid tale of a lone woman’s quest to face the Fifth century’s greatest terror, Attila the Hun. The only thing she bears is a cursed sword and a belief that she must act to preserve her people, the Burgundians. Along the way Gudrun unexpectedly discovers the capacity to love a man who may be a mortal enemy. She must embark on an inner journey to cope with adversity in the outer world. Grounded in history and loosely based on the Poetic Edda, Gudrun’s Tapestry takes the reader on a quest of self-discovery in a tale of magic and courage that resonates through the centuries to touch the reader’s heart and soul.


Author's Note: Gudrun's Tapestry is based on the "Sigurth" and "Guthrun" lays, as they appear in the Poetic Edda, and on the history of the Germanic and Hun tribes during the reign of Attila the Hun. While there were many instances where the legend and the history were close enough to be combined, where they were not, I took the liberty of creating the links that I imagined.


Review:
Gudrun's Tapestry was an enjoyable and interesting historical fiction with a bit of legend mixed in. The historical details were nicely woven into the story to bring the world alive in my imagination. The characters were interesting and seemed inclined to make enough bad decisions (with the help of a cursed sword) so as to make their lives...interesting...in a Hamlet-tragic sort of way.

The story started off with Gudrun arriving at the City of Attila with the intent of gifting him with a cursed sword as a way to avenge his army's slaughter of her tribe many years before. But once she finally gets it to him, the sword seems to bring him luck instead, and, as long as she's a prisoner, her only hope to hurry up Attila's death is to turn his loyal second-in-command into her ally.

Periodically, the story switched back to the events that led to her bring the cursed sword to Attila. This section told of her love for Sigurd, a man intent on slaying a dragon to get gold, the cursed sword, and everlasting fame, and of another woman who coveted his love. I had no problem keeping track of the events in the two sections and enjoyed the greater action provided by the "leading up to Attila" portion of the story.

Which brings us to the novel's slower-the-typical pacing. It's partly due to Gudrun being stuck in a hut as a prisoner and forbidden to speak with anyone but Attila's second-in-command for a significant portion of the book. This part wasn't boring--there was plenty of verbal sparing and news of Attila's victories and such. There simply wasn't a lot of physical action. The action picked up as the story moved along, though, and the story had a satisfying ending.

There was no explicit sex and the only illicit sex (not by Gudrun) brought realistic consequences. There was no bad language. I'd recommend this well-written, clean novel to readers who enjoy historical fiction and/or who want to know a bit more about Attila the Hun.


If you've read this book, what do you think about it? I'd be honored if you wrote your own opinion of the book in the comments.


Excerpt from Chapter One
I fell to my knees at the stream, so eager to drink that I did not think to offer a prayer until afterward, when I was satisfied and my flask was full. I was exhausted. My skin was parched and I was filthy; but according to the map my brothers had given me, I was very near my destination. I left on foot, pulling my tired horse behind me.

I had not had a full night's rest since the terrain had changed. The land was flat here. There were no caves or rocky ledges where I could shelter myself. The forest, so sacred to my people, had long since been replaced by endless grasslands. As I trudged through them, I felt that I had left more than my loved ones behind.

When the sky darkened, I used the single live coal I carried from the previous night's fire to light my torch. I was sure that the light could be seen from some distance. I expected at every moment to hear the thunder of hooves beating on the arid earth. But on and on I walked, seeing no sight other than my own shadow in the gleam of the torch light and hearing no sound by that of my horse plodding along beside me.

Tuesday, November 10, 2009

Author Quirks: Susan Meissner

Next up is Susan Meissner, author of White Picket Fences. I asked her:

What's a quirky or little-known fact about yourself, your writing, and/or one of your novels? (For example, you can tell us about a non-standard pet you have, an unusual way you do your writing, a strange real life incident that inspired a scene in one of your novels, or so on.)


Susan Meissner's answer:

Sometimes I will see a person writing madly in a cozy corner at Panera Bread or Starbucks. A warm cuppa rests at an elbow and his or her gaze rests easily, comfortably on their laptop screen. All around them is noise and music and clinking dishes and one or more unhappy toddlers in a stroller, a guy on his Bluetooth talking deals just over their shoulder, and a couple teens giggling about the boys they like. And this writer just keeps writing as if the chaos around them is the fuel for their creativity and yet they aren’t even aware of it.

I look at those people and I envy them. I (insert grumpy face) need silence when I write. No noise or music of any kind, not even an ethereal Enya track floating around me. I need to be in my writing room with either coffee (the morning medication) or a Diet Coke with Lime (the afternoon addiction) and everything around me must be quiet. If I have to write with noise around me, and sometimes when I am on a deadline that happens, I become very Scroogey. I just want to mute the whole world. Not a pretty picture.


Thank you, Ms. Meissner, for sharing this quirky story about your writing habits.

Sunday, November 8, 2009

Giveaway: White Picket Fences


White Picket Fences cover


White Picket Fences
by Susan Meissner


Trade Paperback: 368 pages
Publisher: WaterBrook Press
First Released: 2009



I really enjoyed this novel, so I've agreed to hold a giveaway for one copy of White Picket Fences by Susan Meissner, which was provided by the publisher. You can learn more about the novel by reading my review.

Due to shipping costs, this contest is for USA and Canada residents only.

To enter the giveaway:

1) you can twitter me saying "@genrereviewer Enter me to win WHITE PICKET FENCES. Another novel by Susan Meissner is _________." (You need to fill in the name of another book by this author. Hint: Look at her website.)

OR

2) You can leave a comment to this post asking to be entered and giving the name of another book by this author.


The winner will be randomly selected. I'll announce the winner at noon (Central Time) on November 18, 2009 on this blog. If you entered using twitter, I'll send you a @ or DM telling you of your win and asking where to send the book. If you entered using the blog comments, you'll need to leave your e-mail address or check back to see if you won so you can e-mail me your shipping address. If the winner hasn't responded with a mailing address within four days, I reserve the right to pick a new winner.

I hope everyone has fun with this!

White Picket Fences by Susan Meissner


White Picket Fences cover


White Picket Fences
by Susan Meissner


Trade Paperback: 368 pages
Publisher: WaterBrook Press
First Released: 2009

Author Website


Source: Review copy from publisher.

Back Cover Description (heavily modified):
The Janviers appear to have the ideal life--a beautiful home, great jobs, two wonderful kids. But even if you live behind a white picket fence, you have to deal with the fallout of living in a broken world.

When her black sheep brother disappears, Amanda Janvier eagerly takes in her sixteen year-old niece Tally. The girl is practically an orphan: motherless, and living with a father who raises Tally wherever he lands--in a Buick, a pizza joint, a horse farm--and regularly takes off on wild schemes. Amanda envisions that she, her husband Neil, and their two teenagers can offer the girl stability and a shot at a “normal” life. But their own storybook lives are about to crumble.

Seventeen-year-old Chase Janvier hasn’t seen his cousin in years, but Tally and Chase bond as they interview two Holocaust survivors for a sociology project. Echoes from this past resonate in Chase and slowly bring back repressed memories from a house fire he survived as a child.

As her son begins to remember, Amanda wants to confront the truth no matter what it is. Her husband desperately wants to avoid delving into the one time he wasn't there to protect his son. And Chase suspects he was responsible for another child's death in that fire, but he has no one to talk to except Tally. Will the fire of the past tear the family apart or bring about a renewal in their lives?


Review:
White Picket Fences had realistic characters struggling in realistic ways with pain from their past. The author had a lovely way of showing nuances of the internal family relationships through their body language and actions. I came to care about all of the characters.

The author often described objects in an slightly anthropomorphic way (which I sometimes thought sounded a bit odd), but the vivid descriptions were clear and brought the world alive. The pacing was slower than normal, but I never lost interest in what was going on.

Though God was briefly mentioned in several scenes, he didn't play much of a role in the lives of anyone in the family. The novel was not preachy.

There was one "he cursed" but no other bad language. There was no sex. Overall, I'd recommend this book as well-written, clean reading with an astute portrayal of the complexity of human relationships.


If you've read this book, what do you think about it? I'd be honored if you wrote your own opinion of the book in the comments.


Excerpt from Chapter One
The chilled air inside the Tucson funeral chapel suppressed the punishing heat outside. Amanda shivered as she took a seat on the cool metal chair. She leaned over and whispered to her husband in the chair next to her. “A sweater in Arizona in September?”

He nodded casually, apparently unfazed by the abrupt temperature change from scorching to polar. Neil had worn a suit, though she told him she didn’t think he had to, and she envied his long sleeves. He quietly cleared his throat, opened the program he’d been handed when they walked in, and began to read the obituary of the woman whose casket sat several feet away–the woman neither of them had ever met.

A generous waft of newly refrigerated air spilled from the vent above her head, and Amanda instinctively turned to her niece on her other side. The teenager’s arms were bare under a flamingo-hued halter dress. Amanda wondered if the foster mother had given Tally any advice at all on what she might want to wear to her grandmother’s funeral. Amanda again turned to her husband.

“I think we should’ve come yesterday.” Her voice was barely above a whisper.

Neil looked up from the program. “It wouldn’t have changed anything,” he replied gently. “Besides, we got here as quick as we could. It’s not your fault you didn’t know she was here. Your brother should’ve told you.”

Neil reached for her hand and gave it a squeeze. Amanda looked down and noticed a thin line of wood stain under one of his fingernails, evidence that he had cleaned up from his latest woodworking project in a hurry. Neil turned back to the program, and Amanda looked over at her niece.

“You doing okay?” She hesitated, then placed an arm around Tally’s shoulders.

The girl flinched and glanced at Amanda’s arm before turning back to face the casket. The sixteen-year-old shrugged. “I didn’t really know my grandma.” The words were laced with casual regret, as if she knew people were supposed to know their grandparents, but what could she do about that now? Amanda intuitively pulled Tally closer. The girl stiffened at first and then relaxed, reminding Amanda that Tally barely knew her either.


Read the rest of chapter one.

Friday, November 6, 2009

Arabella by Georgette Heyer


Arabella cover


Arabella
by Georgette Heyer


Trade Paperback: 314 pages
Publisher: Sourcebooks Casablanca
First Released: 1949, 2009


Source: Review copy from publisher

Book Description from Publisher Website:
Georgette Heyer had a handful of unforgettable heroines, of which Arabella is one of the most engaging.

Daughter of a modest country clergyman, Arabella Tallant is on her way to London when her carriage breaks down outside the hunting lodge of the wealthy Mr. Robert Beaumaris. Her pride stung when she overhears a remark of her host's, Arabella pretends to be an heiress, a pretense that deeply amuses the jaded Beau. To counter her white lie, Beaumaris launches her into high society and thereby subjects her to all kinds of fortune hunters and other embarrassments.

When compassionate Arabella rescues such unfortunate creatures as a mistreated chimney sweep and a mixed-breed mongrel, she foists them upon Beaumaris, who finds he rather enjoys the role of rescuer and is soon given the opportunity to prove his worth in the person of Arabella's impetuous young brother...


Review:
Arabella is an enjoyable Regency romance. The book had similarities to Frederica: a charming heroine whose open innocence induces a jaded rich and popular fellow to think of others beyond himself. I liked Frederica a little better, but I certainly enjoyed Arabella, too.

The characters were engaging. Their antics were amusing, and the romance was delightful and built slowly. The historical information was interesting and skillfully woven into the action of the story. The pacing was excellent.

A large number of characters were introduced at the beginning, but their relationships to each other were clear and I was able to quickly sort them all out. Also, there were a small number of French words used. I don't know French, but I had no trouble following what was going on.

There was a very minor amount of swearing. There was no sex. Overall, I'd recommend this novel as well-written, clean fun.


If you've read this book, what do you think about it? I'd be honored if you wrote your own opinion of the book in the comments.


Excerpt from Chapter One
The schoolroom in the parsonage at Heythram was not a large apartment, but on a bleak January day, in a household where the consumption of coals was a consideration, this was not felt by its occupants to be a disadvantage. Quite a modest fire in the high, barred grate made it unnecessary for all but one of the four young ladies present to huddle shawls round their shoulders. But Elizabeth, the youngest of the Reverend Henry Tallant's handsome daughters, was suffering from the ear-ache, and, besides stuffing a roasted onion into the afflicted orifice, had swathed her head and neck in an old Cashmere shawl. She lay curled up on an aged sofa, with her head on a worn red cushion, and from time to time uttered a long-suffering sigh, to which none of her sisters paid any heed. Betsy was known to be sickly. It was thought that the climate of Yorkshire did not agree with her constitution, and since she spent the greater part of the winter suffering from a variety of minor ills her delicacy was regarded by all but her Mama as a commonplace.

There were abundant signs, littered over the table in the centre of the room, that the young ladies had retired to this cosy, shabby apartment to hem shirts, but only one of them, the eldest, was thus engaged. In a chair on one side of the fireplace, Miss Margaret Tallent, a buxom fifteen-year-old, was devouring the serial story in a bound volume of The Ladies' Monthly Museum, with her fingers stuffed in her ears, and seated opposite to Miss Arabella, her stitchery lying neglected on the table before her, sat Miss Sophia, reading aloud from another volume of this instructive periodical.